{"id":113,"date":"2020-05-21T16:49:21","date_gmt":"2020-05-21T16:49:21","guid":{"rendered":"http:\/\/projects.ccu.press\/quarantinecreatives\/?page_id=113"},"modified":"2020-06-14T13:28:05","modified_gmt":"2020-06-14T13:28:05","slug":"online-exhibit","status":"publish","type":"page","link":"http:\/\/projects.ccu.press\/quarantinecreatives\/online-exhibit\/","title":{"rendered":"QUARANTINE CREATIVES"},"content":{"rendered":"\n

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      Looking back, 2020 never started off on a sturdy foot. This year began with the noises of war, the horrific death of a retired NBA player and his young daughter, and a pandemic that has taken the world by storm. And now a second pandemic that has been an ongoing issue for centuries, racism.\u00a0“A Lover” Bobby is my best friend. He happens to be my lover. I have never known a love like his; unconditional and honest. “Someone I never met” Roberta is my grandmother. The strongest woman I know yet a woman I never met. Although she died before I was born, my love for her remains. She had 10 children, my dad being the only boy and the youngest, and I see her face in every single one of my aunts. “My Dad” Leo is my father. He was always hard on me growing up and continues to be. How rare it would be to ask him how he’s doing and not get, “Kicking but not high” as a response. -Maya N. Bellamy<\/em><\/h6>\n
      All paintings are oil on canvas with acrylic on background.<\/h6>\n<\/blockquote>\n<\/div>\n<\/div><\/div><\/div>
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      MAYA N. BELLAMY<\/h2>\n<\/div>\n<\/div><\/div>
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      I A LOVER<\/h4>\n

      II SOMEONE I NEVER MET<\/h4>\n

      III KICKING BUT NOT HIGH<\/h4>\n<\/div>\n<\/div><\/div>
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      2019, Interdisciplinary Studies Major w\/ Minor in Art Studio<\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div>
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      ASHLEY ARAKAS<\/h2>\n<\/div>\n<\/div><\/div>
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      I Enxhi<\/h4>\n

      II Exposed<\/h4>\n

      III Bore<\/h4>\n

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      2016, Art Studio<\/h5>\n<\/div>\n<\/div><\/div><\/div>
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        Enxhi<\/b> was a portrait study I did of a friend. This piece was an exploratory piece for me as I experimented with different color techniques, applications, and textures. <\/span>Exposed <\/b>is a self portrait I did during my recovery period with an autoimmune disease. This piece embodies the emotional trauma of dealing with unrelenting symptoms as well as mental strife that comes with dealing with an autoimmune illness. <\/span>Bore<\/b> is a self portrait that deals with the mental, physical, and emotional strife that comes with dealing and living with a chronic illness.<\/span><\/em><\/h6>\n<\/blockquote>\n<\/div>\n<\/div><\/div><\/div><\/div>
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          (Eye) Don\u2019t Know, When lockdown in NYC started, there were more questions than answers. I coped by being honest and embracing \u201cnot knowing\u201d – I didn\u2019t know what was going to happen, I didn\u2019t know how feel, and I didn\u2019t know what to draw. Sonho na Areia, I found a photo of my mother & friend in 1970s Rio de Janeiro during quarantine cleaning, and was transported. The process of creating this collage took me on a \u2018spring break of the mind\u2019. Since we can\u2019t go anywhere, I leaned into the impossible vacation: a technicolor Rio of the 70s with my young mom.<\/em><\/strong><\/h6>\n<\/blockquote>\n
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          BARBARA ASTRINI<\/a><\/h2>\n<\/div>\n<\/div><\/div>
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          I EYE DON’T KNOW<\/h4>\n

          II SONHO NA AREIA<\/h4>\n<\/div>\n<\/div><\/div>
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          \"Headshot<\/h4>\n

          2011, Graphic Design<\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div>
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          DEVANN DONOVAN GARDNER<\/a><\/h2>\n<\/div>\n<\/div><\/div>
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          I A Disregard<\/h4>\n

          II Look What I Can Do<\/h4>\n

          III Party Favors<\/h4>\n

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          2018, Art Studio<\/h5>\n<\/div>\n<\/div><\/div><\/div>
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            This body of work analyzes the system of memories and its evolution from childhood into adulthood, including nostalgia.\u00a0<\/em><\/strong>During this time of quarantine, we have been separated physically, but before the responsibilities of a job or providing for our families, we were able to find contentment in the simplest of acts. Fortunately, through social media, these connections are reestablished and I am able to connect and share these stories much father and gather information on our shared perspectives. –Devann Donovan Gardner<\/a><\/em><\/strong><\/h6>\n
            I. A Disregard: Oil on Canvas 24\u201dx 36\u201d, $700<\/h6>\n
            II. Look What I Can Do: Oil on Canvas 30\u201d x 40\u201d, $800<\/h6>\n
            III. Party Favors: Oil on Canvas 24\u201d x 30\u201d, $750<\/h6>\n<\/blockquote>\n

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